As I pick up the book and watch the cover I
know this is something which is done in true Coupland style. The design
is always different, cut to stand out from the rest of the books in my
shelf. And so is the content.
The book is actually (as often with Coupland) a collection of several
short stories, loosely interacting. Some have earlier been published in
magazines, some are true, other fiction. I don’t like them all, some are
better than others, and some I reread missing the point again. Coupland
has away to be really serious about everything. I’m thinking and
pondering, and that’s what I like about this writer, making me ponder
over simple, just everyday things. He gives it a complexity I didn’t
see earlier.
The Polaroids are pictures of Frateful Dead concerts, Madonna and Curt
Kobain. He tries to analyze the spirit of the late American century, and
the icons of our world seems to be Marilyn Monroe, Curt Kobain, Madonna,
and O.J. Simpson. I don’t always recognize myself. Perhaps I’m to far
away from America to recognize myself in its culture. Perhaps I’m not
really into reading any analyses of this century. Perhaps it’s the weather.
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